I don't know. Maybe because I'm a product of the 80's, and grew up when the evil empire was the enemy, and "The Bomb" was a reality we were all waiting to see drop. I remember drills in grade school where we hid under our desks for safety. I remember them called earthquake drills. I grew up in the Willamette Valley, and I imagine we had a couple quakes when I was growing up. We even lived in the shadow of Mt. St. Helens (I remember the drive to church the morning of May 18, 1980), but the only one I can actually remember was after I was married. You might recall the video of the meeting at Microsoft with ceiling tiles falling and lights swaying. No, I'm pretty sure "earthquake drill" was the euphemism for "we're not going to survive the blast wave anyway."
I think though, that most of us that grew up so near the end of the cold war either tiring of the eternal paranoia, or began to see through it all. I distinctly remember having quite a fascination with the USSR and Russian culture. Not a "know your enemy" fascination, but a very real curiosity about the people, the history, and basic culture. I seem to remember a difference in the Russia we were taught about, when compared to the "Evil Empire" portrayed in a lot of the movies and stories that came out of the 50's and 60's. Maybe it was the gradual liberalization of the universities; the shift toward the socialist agenda that seems to permeate secondary education. I don't know. And honestly I was far to young to care at the time. I do know that I still enjoy a good cold war spy drama, or some post-apocalyptic nuclear fallout mutant flick.
So when The Day After was on some cable movie channel, I had to set the DVR and catch it again. Steve Gutenberg in a non-Police Academy 17 role. Jason Robards, John Cullum, John Lithgow. What a great cast! Amy Madigan, whom I remember from her Oscar level performance opposite John Candy in Uncle Buck.
As I was watching this movie over a span of about 3 days (I have 3 small children and a wife, I don't' get uninterrupted time), I marveled at the story telling. Rather than starting the movie out with a car chase and an automatic weapons fight (don't get me wrong, there's always room for more machine gun fights in movies) they spent the first hour or so introducing the characters.
I think I fell asleep the last time I saw a "modern" movie that tried this tactic. "7 years to fall asleep on the couch" is the title in my circle of friends. You figure it out. There might have been a story there. All I saw were 3 hours of mountains, and the insides of my eyelids. I grew up in the Willamette Valley, I know what mountains look like. I suppose if I had spent my entire life in New York City I'd call a 45 minute helicopter pan of some mountain range "brilliant film making." Really it was a director that was far to lazy to use the cutting machine for the purpose it was designed for, and a producer that should have just slapped the director in the face. That movie needed some nuclear detonations in a bad way!
Again, you have me on a tangent. I'm reminded of a humanities professor I had at Milligan College, but that's a blog for another day.
Back to The Day After.
So I sat down this evening to finally finish the movie, and my 3 year old wanted to sit with me, so she eventually started paying a bit of attention. She began to get excited when the missles started launching.

"Two rockets."
"Those are rockets!"
"Rockets fly up in the sky!"
"Rockets are fireworks! They're pretty!"
When you look at that beautiful face so filled with joy over a couple dozen ICBM's you just want to protect her from "the end of the world as we know it" just a little while longer.

